Racial Pride VS. Racial Prejedice

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This year, the year 00 we have come together to celebrate one hundred years of African American success. We come to commemorate one hundred years of struggles and achievements. From the establishment of the NAACP to the fight for Civil Rights in the sixties, we have witnessed racial promotion become more common in the African American communities. Towards the early mark of the century it was common for African Americans to promote racial marginalism. It is now visible, one hundred years later, that we have stepped away from marginalism. As we reflect upon the centennial achievements, we are obligated to think of such achievements as the NAACP, Civil Rights Movement, African Americans in music, drama, sports, and government. However, we tend to neglect African American journals. As we overlook African American Journals we do not see that African American journals, at the beginning of the Centennial Reflection, created African American readers. Such journals such as The Messenger, The Opportunity, The Crisis, and The North Star not only created African Americans writers but African American readers. The last one hundred years comprise of several "African American Time Periods. " These "time periods" are From Reconstruction to the New Negro Renaissance. This age is from the Emancipation Proclamation to the time in which Alain Locke thought there was a "New Negro." This epoch includes such persons as Booker T. Washington, Charles Chesnut, W.E.B DuBois, James Weldon Johnson, and others. The ensuing period is the Harlem Renaissance, in which we are obliged to commemorate such names as Billie Holliday, Cab Calloway, and Duke Ellington. But what we fail to see is that the Harlem Renaissance was an explosion of aptitude, or as W.E.B DuBois would say, "The Talented Ten." Which was referred to as "Ten percent of every generation has God given talent." The Talented Ten, was written by W.E.B DuBois book "Souls of Black Folks." The final period was Realism, Naturalism, and Modernism. This was between the period of 140 to 160. This included such anamnesis as the Civil Rights Movement and Voters Registration law being passed. The Harlem Renaissance has become a time for remembrance, and recognition. This outstanding day in age is now known as a period for phenomenal literature, musical, and artistic vigor and creativity in the U.S. The Harlem Renaissance produced sophisticated explorations of black American life and culture that revealed and stimulated a new confidence and racial pride and promotion.

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In conclusion, we see that the African American race has not only come a long way but has overcome numerous obstacles with trophies to show. These trophies are achievements such as desegregation, and civil rights for all. When we say we are showing recognition for the African American race, we cannot compile all of these achievements into only one hundred years. The black race extends further then any textbook can hold. For the last one hundred years we have found that Alain Locke's book "The New Negro" was not only an idea but a fact, because we have grown from a race that promoted racial marginalism and now have grown to a race that promotes racial pride. Please note that this sample paper on Racial Pride VS. Racial Prejedice is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Racial Pride VS. Racial Prejedice, we are here to assist you. Your persuasive essay on Racial Pride VS. Racial Prejedice will be written from scratch, so you do not have to worry about its originality.

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