Jones Soda

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Our staff of freelance writers includes over 120 experts proficient in Jones Soda, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Jones Soda paper at affordable prices!I Executive Summary

The ex-Canadian, now Seattle based soft drink manufacturer of Jones Soda has a history or producing unusual flavors of soda, with even more unusual labels. Jones Soda distributes its product in select markets, while being sold in locations you would never expect to find a soda. The company has recently launched the myJones.com site where customers can order, and have a delivery of Jones Sodas to their house. The creation of their new web site will allow their products to be even more widely distributed which will most certainly add to their rapidly growing income. Americans today are fat! And consequently have become more health, or image conscience. Either way, society depends on low calorie food items, such as diet drinks, to maintain their image/health. Since Jones Soda competes in the competitive premium soda category, the company needs another flavor to compete with brands like Coke and Pepsi and the new flavors they introduce. We have created an advertising campaign that will introduce and remind the population of soda drinkers of Jones Soda with the intentions of continuing to expand and compete in this industry. Already having a massive number of customers, we plan to introduce a new line of Diet Sodas to this image conscience society and continue to remind and persuade customers of the Jones Soda drinks. Using advertising and publicity, we will reach a larger audience than in the past. The advertising team will use several different types of Advertising Media including Newspaper, Radio, Magazines, Yellow Pages, Television, Outdoor/transit and Publicity, in the Portland metropolitan area, with the target market of any person(s) who fall into the image conscience society. Adding these advertising methods to the already positive publicity brought on by Jones Soda's reputation for quality, we are sure to move Jones Soda into the future while creating a legacy in the process. And after our new product hits the market, we are sure to be continuing the build on the Jones Soda legacy. Chris Woods II

II Description

A. The ex-Canadian, now Seattle based soft drink manufacturer of Jones Soda has a history or producing unusual flavors of soda, with even more unusual labels. The always-changing photos on the labels are sent in from Jones Soda customers. Jones Soda distributes its product in select markets, while being sold in locations you would never expect to find a soda. The company has recently launched the myJones.com site where customers can order, and have a delivery of Jones Sodas to their house, which will most certainly increase their profits. The myJones.com site will help increase awareness and increase their already rapidly growing profits; from 00- 00, Jones Soda increased their revenue by more than 18%. However, Jones Soda is not solely concerned with profits. They are strong believers in social responsibility and it is a large part of their companys philosophy. Just a few years ago, Jones held a benefit auction held at the Museum of Contemporary Art in Soho, to celebrate the introduction of new flavors. Proceeds for this were donated to a fight against AIDS. To help combat the current outburst of overweight Americans, Jones Soda introduced a new line of 4 different flavors of Diet Drinks.

B. I am a High School Junior in an advanced Marketing class, designing the advertising for this company and it's new product.

III. Objectives

Already having a massive number of customers, the primary objective is to introduce a new line of Diet Sodas to the image conscience customer while continuing to remind and persuade customers of the Jones Soda drinks, in order to maximize profits.

IV. Identification of the Target Market

A.Primary

The primary market of this campaign includes men and women with a general age of about 5. This market consists of any one interested in maintaining a healthy diet, without giving up their favorite drinks. These people are those that are conscience of their health or weight that live in the Metro Politan Area. Another primary market is the younger generation that is more conscience of their appearance. This group consists of 1 - 0 years old that want to maintain their slim appearances that also live in the Metro Politan Area.

B. Secondary

The secondary market for this campaign consists of everyone else living in the Portland Area, wanting a tasty, thirst-quenching drink.

V List of Advertising Media Selection Necessary for the Campaign Budget.

Newspaper I will advertise Jones Soda by having a loose paper insert, 8 ½ x 11 in The Oregonian every day of every other week. This advertising will ensue for the remainder of the campaign ( months). The first week will be March 1st through March 7th. By having a loose paper insert, I am able to make it colorful and convenient for the reader, possibly falling out, and with its bright colors, will catch the reader's eye. Newspaper is a good way to advertise because it is local, sending it right to your specific target market. However, I chose to do it as a loose paper because there is no requirement to put your ad in one specific section, as there is no specific section where dieters/image conscience teens look, but it will be easily accessible for all readers.

Radio - I will advertise my diet product on different radio stations, 4.7 NRK as well as on Z100. NRK attracts listeners, with its alternative rock, that tend to be the punk-like boys with ages ranging from 15 5, which are customers that our company targets. While Z100 reaches a different market with its hip hop, girls ranging from 15 1 years old, it is an equally as large market that more than doubles the audience reached. The same ad will be played on both stations for 0 seconds twice a day, for 4 weeks starting May 1st. Advertising on just these radio stations will ensure that I advertise to primarily likely Jones Soda customers, maximizing the money put into this campaign.

Internet I will be advertising pop-ups, as well as the ad's that role on the top of the screen, on Google, Yahoo, SparkNotes, and GradeSavor. Clicking on any of the ads will bring you to the MyJones.com site. These sites are excellent places to advertise to our target market because many High School and College students visit these sites every day! It will definitely raise awareness, while being free and hopefully bring more customers to the MyJones.com site, which will in turn raise awareness.

Television I will advertise on different TV stations, MTV and UPN 4, for the last 4 weeks of my campaign, starting April 1st. I will have two 15 second slots and two 0 second slots. The commercials will be shown three times a week, on each station. This amount assures the ad's being seen, and reminded, but definitely not over played and bugging the audience, while saving money at the same time. The commercials, like the bottles, will be very diverse in footage and very appealing to the watchers. MTV has an extremely large audience, which target teen's aged 1 5 that is very similar to those in our target market. And UPN 4 also has a high teen viewer percentage. However, they also have an older audience stretching from 5 at least 40, which increases the awareness of our product through all ages.

In-Store Displays They will be used in snowboard/skateboard shops as well as independent stores which is the basis of Jones Soda. I will also put some displays in malls because of their wide variety of viewers, while still focusing on our target market of an image conscience teen. Almost everyone goes to the mall at some time, and will likely see our ad's in convenient places to buy a Jones Soda drink. Placing ad's snowboard and skateboard shops as well as independent stores will focus more on our target market of young, punk teens, but still being a large audience.

IX

This campaign will surely accomplish all goals set by our advertising team.

The new line of diet drinks will be introduced and be visually available to the market interested in that product, while the customers that are unaware of Jones Soda as a whole, will be reminded. Virtually every where our target market will be traveling, there will be, at some point in time, a Jones Soda advertising media, informing them of our great product. The secondary market will also be greatly affected by this campaign, at no extra cost to the company; Internet advertising is free while reaching an uncountable number of viewers. Television and radio will also be reaching our target market directly, while at the same time, affecting a number of other customers likely to reach in their pocket and buy a Jones Soda.

Directly reaching so many buyers directly in our target market makes this campaign a sure success to lead this company into the future, while creating a legacy for all time.

Please note that this sample paper on Jones Soda is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Jones Soda, we are here to assist you. Your cheap custom college paper on Jones Soda will be written from scratch, so you do not have to worry about its originality.

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Strictly Ballroom

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Strictly BallroomʏImage and SoundJascinda Jasinski

Online essay help on Strictly Ballroom

HOW DOES SOUND ENHANCE IMAGE IN THE FILM STRICTLY BALLROOM?Images are pictures we create in our minds. Filmmakers will enhance these images in order to stress a particular theme or message. However, Producers can use sight and hearing to connect image, which is enhanced by sound. Filmmakers use a variety of sound techniques such as dialogue, sound effects, special effects and music. Dialogue is words spoken by characters in a play or story; this creates understanding for the audience. Sound effects are sounds produced by other objects such as feet shuffling across the ground. Special effects enhance the visuals that appear on the screen and what is being said.Music is the art of arranging the sounds of voices or instruments in a pleasant sequence or combination. Filmmakers use music to create mood and meaning. The following essay discusses how image is enhanced by the use of sound in the film Strictly Ballroom. Technology of today has allowed colour images as well as sound onto the screen. This advancement has allowed films with sound to project a stronger and clearer message to the audience. Dialogue is a strong technique actors use to reveal the storyline, plot, Baz Luhrmann wrote the dialogue to send a message to the audience. One example of where dialogue is evident is where Scott runs out the back of the dance hall and says to, Fran "Fran there's no time, do you still want to dance with me?" From this dialogue and the previous story build up, Fran's grandmother jumps with joy. They're so happy they use their native language Dialogue delivers more than just understanding of the storyline. It gives clues of who the character is, and what social class they belong to An example of dialogue is when we hear Shirley Hastings trying to talk Fran out of dancing with Scott "You don't want to ruin his chances do you? Now you can see it'd be best for everybody concerned if you just went home and forget all about this, can't you Franny?" This helps to give us a better understanding of Shirley as it strengthens how powerful and demeaning her character is. We are shown throughout this film Shirley's character is over the top by the amount of makeup she wears, her shrieks, I've got my happy face on comment. She hides her stress and anger from Fran to make it seem as though she isn't angry at her. The "real" reason she doesn't want Fran to dance with Scott is because Shirley wants him to win more than Scott himself does.Sound effects are sounds that are produced which are not music or dialogue. Sound effects used in "Strictly Ballroom" are commonly used. A good example from the film is where Scott Hastings is dancing with Fran in the "Pan Pacific Grand Prix" The power is cut and there is no music. There is only silence as Scott and partner are asked to leave the dance floor as they were dancing no federation steps Scott and Fran refuse to leave the dance floor after being asked twice by the president of the dance federation Mr Barry Fife. Scott and Fran end up separating and taking a bow Scott that is when, Scott's father starts a slow clap, then Fran's family start to clap as well which is enough rhythm for Scott and Fran to continue their traditional dance packed with tapping of the feet. The clapping audience shows their emotion and that they like what they see. In this scene, clapping expresses their approval. The use of Special effects also play a larger role in Strictly Ballroom. It helps the viewer to better their understanding the characters, their roles , their feelings and emotions that the character portrays.An example of the special effects used in this flim is when Scott and Fran are practising the Paso Doble at Frans' house. We see that the atmosphere is full and rich of culture, as expressed by the traditional cultural music in the background. Suddenly we are pulled away from the happiness and excitement, to be shown a train going past. The sound of the train over throws the sound of Fran and Scott practising the Paso Doble. This is to remind the viewer of the real world that they live in. As the characters become more carried away with their dancing, the climax is abruptly ended with the excellent sound of a train swishing past. The sound brings the viewer back to civilisation and promptly ends the special moment. Another example of special effects is when we taken to Kendall's studio and we are shown Barry's illusion of Doug's past all we hear is the voice over of Barry Fife telling Scott what his father did to jeopardise his chances of winning we hear Barry say "Doug and Shirley were the best bloody couple this country had ever seen. Couple number 100." We see Doug and Shirley dancing together in Barry's illusion. Barry then tells Scott that Doug went crazy he started to improvise and became self obsessed. He was convinced that he and your mum couldn't win the Pan Pacific Grand Prix dancing his own steps. Of course he lost. I was fortunate to win that year. I was fortunate to win that year. He also tries to make Scott feel guilty by saying to him "When you were born Doug found a reason t olive. He vowed that one day you would win the trophy that he could never win. Baz Luhrmann has used Barry's illusion to emphasise that he is only about winning. The illusion helps the audience better their overall view of Barry that he is a liar, and a cheat. He told Wayne to go home so he and Scott could talk . Another special effect used is after Barry talks to Scott . Scott smashes open the downstairs is cupboard and unleashes an avalanche of DOUG'S memorabilia. We hear the smashing and crashing of the films plum ageing to the ground and all of a sudden are shown a photo of Shirley and her tail-suited partner. We see his face. It is Doug. As Scott unleashes a cry of anger and despair, Barry's words echo inside his head. The camera all of a sudden pans around Scott and we are taken to the Pan Pacific Grand Prix.Music plays a large part in this film. In "Strictly Ballroom", as people cannot dance without rhythm or beat. Music is used throughout the film not only for dance but also for indicating the emotions of the characters, the mood of the atmosphere and the theme of the film itself. An example of music being used to create mood, characterisation and emotion is where Les grabs Scott and starts to discuss his actions regarding his relationship with his dance partner. The content of the dialogue was suited to the jerky music. Les's hair and facial features move sharply and with jagged tango steps. The use of the tango in this scene starts building emotional tension. The style of a tango is a high energy, fast, sharp movement as well as some slower and more precise steps. This fits in well with the dialogue that has traces of anger and persuasive language Les states "Oh the audience, the audience! - Forward on the heel Fran!- What would they know? Flashy, unusual choreography. Crowd - pleasing sure; but where was your floor craft? -Arms Clary! - No energy directed into the floor. Untidy feet hands and you could have driven a truck between your left elbow arms Clary! - and your right hand. Do you think that's going to win you the Pan Pacific Grand Prix?. The image on screen is of a dance studio with dancers in a circle performing these tango steps. Music is supporting these moves through the characteristics such as staccato notes and syncopated rhythms. Les is also trying to make Scott aware of the dangers of dancing his own steps isn't going to win him the Pan Pacific Grand Prix. In conclusion, Baz Luhrmann has been able to weave many sound elements of film making together which includes music, sound effects, special effects and dialogue.All these film techniques are used in the final scene Doug asks Shirley to dance the background music playing is Love Is In The Air, a special effect used is the crashing of the trophies with Barry Fife down on top of them tells us that winning isn't everything and the aerial shot of everyone on the dance floor. The film text "Strictly Ballroom", that image is enhanced by the use of sound in the stimulus Strictly Ballroom. Please note that this sample paper on Strictly Ballroom is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Strictly Ballroom, we are here to assist you. Your cheap college papers on Strictly Ballroom will be written from scratch, so you do not have to worry about its originality.

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Power play 1984

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Relationships at all levels involve complex power playAll human history, thought and action has what Nietzsche describes as 'the will to power' at its core. An individual's desires are best explained within the context of power, as their realization more often than not necessitate the exclusion of other's desires. This can be seen in George Orwell's novel 184, in which he uses a fictional totalitarian Government (modeled on the USSR, Nazi Germany and to a lesser extent the Medieval Catholic Church) to give an exaggerated account of how individuals and regimes use misinformation and fear to gain power over people's words, thoughts, actions and labours. The manifestations of man's quest for power are evident in all levels of relationships. People seek power in their communities, in their families, in their peer groups, relationships and institutions. From mass revolts to domestic violence, mankind is intoxicated with the idea of gaining personal power. Orwell, in 184, offers are simplistic, but useful, explanation of the division of power through history. There is the upper class, whose motivation is to maintain it's power, the middle class, that wishes to replace the upper, and the lower class, that wishes to eliminate the classes above it, the classes that hold power and exploits their labour potential. Throughout history, mechanisms have been employed by each of the classes to gain or maintain power. The Upper class tried to maintain it's power by claiming a divine mandate, and creating a Monarchic personality cult. The middle class used commerce and capitalism to elevate themselves up the social ladder, and the lower classes adopted socialism with the hope of creating a 'dictatorship of the proletariat'. But despite the evolution of these different mechanisms, there still remains distinct class divisions, in our society. The three different classes have changed their colours, methods and membership over time, but there still remains a minority in power, and a majority that aspire to gain power. Once one has power, however, there remains the question; how does one maintain it? Orwell provided his own answers in 184 through the character of O'Brien, an Ingsoc party official. The maintenance of power in Oceania has numerous facets. One was the creation of a personality cult centered on a mythical leader known as 'Big Brother'. In all likelihood Big Brother had never existed, had died, or had grown old, but in the party mythology, he was immortal and infallible; the personification of the body politic. He is used in the same manner as religions use God; he is the focus of the people's love, the giver of rewards, and the punisher of wrong deeds, all the beneficial aspects of society are attributed to him. In all practicality, he is a figurehead, the state is not administered by him at all, but from the four ministries of Love (fear), Peace (war), Plenty (scarcity) and Truth (lies). And also, as with religion, all that is bad is blamed on a Satan-like figure, in Oceania, he is Emmanuel Goldstein. In the USSR, Stalin achieved the same result through mythologizing his own life and character, and demonizing that of his former party colleague Leon Trotsky.Another way Ingsoc maintains power is through it's involvement in a state of permanent and fruitless war. This serves as both a propaganda tool; it engenders hatred for the enemy, as opposed to their own regime, and through the use of atrocity stories, inciting an emotional response in the public, and giving moral legitimacy to war effort. This 'atrocity story' tactic is not a fictional tactic, it was used in 10/1 by the US Government to legitimize it's war in Iraq, the American press hounded upon the story of a Kuwaiti hospital in which three hundred premature babies were killed by Iraqi soldiers. The New York Times revealed, after the end of the war that Some of the atrocities that had been reported, such as the killing of infants in the main hospitals shortly after the invasion, are untrue or have been exaggerated" (/8/1). The Howard Government also used this tactic in the run up last year's federal election, when they revealed 'proof' that refugees had thrown their children overboard as their vessel was challenged by the Australian Navy. It has since been revealed that this 'evidence' was misinterpreted, or at worst, fabricated. So one can see that even democratic Governments use misinformation to maintain power and legitimacy; George Bush Snr. did it to maintain support for his war in Iraq, Howard, to draw the public mind off domestic issues and secure an election victory.

Another form of power dealt with in 184 is that of the individual over his own autonomy; freedom of thought and the power to shape one's own destiny. One of the most important manifestations of power is that of freedom. Winston Smith was motivated by this need for personal power. He felt alone and overwhelmed by the power of the state, so he attempted to counter it by maintaining a heretical state of mind. O'Brien acknowledged the significance of this personal autonomy as a thorn in the side of the State's aspirations to permanent and all pervading power; "it is intolerable to us that an erroneous thought should exist anywhere in the world, however secret and powerless it may be". The state in 184 is one that imposes a consensus, revisionist reality, with a history that is constantly altered and corrected to suit the party line. Any deviant from this reality are punished by "vaporization". The effect is that the individual is alienated from his peers, family and friends, yet at the same time assimilated into an organic machine fueled by the thirst for power of the Oligarchy that controls it. In this reality, the only power an individual can grasp is power over that which lies between one's ears; one's thoughts. In the film American Beauty, husband, father and white collar worker Lester Burnham feels very much in the same boat as Winston; he is dissatisfied with his job, his life, and feels oppressed in his relationship with his wife. He gains personal power for himself in the same way as Winston, by rebelling against that which he feels powerless. He quits his job, buys a sportscar, and takes up marijuana. In his home he finally explodes at the dinner table, throwing his plate at the wall, and for the first time in the movie, he has power in the household. His wife, feeling powerless herself, rebels against him by having an affair and taking up sharp shooting. His daughter, feeling oppressed and powerless in her relationship with her parents and her best friend, seeks her own personal power through a relationship with the son of her neighbours, whose father fights to overpower his own latent homosexuality by becoming a bigot and violently asserting authority over his son, who he suspects of giving sexual favours to Lester. What we see is a harmful and often violent web of powerplay within a familial context. In 184, Ingsoc subverts the rebellious instinct of children by encouraging them to spy on their parents and betray them to the thought police if they display unorthodox behaviour. The character Parsons was betrayed in this manner for denouncing Big Brother in his sleep. Ingsoc takes advantage of the child's own thirst for power in the household; Lewis Mumford, an American Humanist philosopher observed that "every generation revolts against its fathers and makes friends with its grandfathers"; in the case of 184, Ingsoc has replaced the idea of a grandfather with that of Big Brother, it could be theorized that in Oceania, most outer party members do not live long enough to become grandfathers. O'Brien has this to say for personal power; "alone, free, the human being is always defeated", this is true for both Lester and Winston, they were both destroyed in the end, the former by a bullet, the latter through prolonged torture and brainwashing.184 offers a chilling picture of power, and the potential for great injustice in it's acquisition. It is by no means pure fiction; there were obvious elements of Oceania in Nazi Germany, the USSR, and regimes like the one set up by the Communists in Cambodia were terrifying emulations of Ingsoc. Have no illusions about human nature, power can corrupt anyone. Bill Clinton once said "politics gives guys so much power that they tend to behave badly around women. And I hope I never get into that" a fairly self explanatory example of the corruption of power. Even in Democratic countries we see Politicians misleading the public for the sake of personal and political power. Mankind can veil his desires with noble intent, but what really exists is only the will to power, In 184, O'brien dismisses the rhetoric of all the socialist and fascist revolutions before his, and offers this maxim; "one does not establish a dictatorship in order to safeguard a revolution; one makes a revolution in order to establish a dictatorship…. The object of power is power". Please note that this sample paper on power play 1984 is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on power play 1984, we are here to assist you. Your cheap custom college paper on power play 1984 will be written from scratch, so you do not have to worry about its originality.

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Reality Tv: Big Brother

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Real New Formats of Television Looking at Big Brother.By Phillip BellThe term 'Reality television,' has become popular in recent years to describe programmes that depict events and interactions, which are supposedly true depictions of the 'real.' As to what constitutes the 'real,' is a constant source of debate and discrepancy. One such example, which attempts to disprove the reality of such shows, and prove 'Reality Television,' to be a misnomer is Phillip Bell's article, 'Real new formats of television looking at Big Brother.' Bell's analysis focuses on the Reality game show, Big Brother, and portrays the negative aspects of it through analysing the contestants as well as those who watch them; the audience.He presents this pessimistic attitude by using sarcasm, ironies and snide comments, which often appear after a statement in brackets, "They encourage competitive and self-examining behaviours of their participants (victims?)…"1 By doing so the reader is positioned to see Bell's point of view, which offers no credit to Reality television and if anything mocks it.

School papers on Reality Tv: Big Brother

Bell begins with an interesting comparison of George Orwell's novel '184' and the show 'Big Brother,' which evokes a sense of nostalgia and regret from Bell as to what modern day entertainment has become. Big Brother was once "watching his cowering subjects for signs of rebellion," and is now, "paying selected members of the audience to cross over to the other side of the all-seeing lens." This notion that Big Brother, no longer represents a serious and deadly authority but rather a voyeur; concerned with entertainment and ratings somehow diminishes it's authenticity and depiction of the 'real.'Despite Bell's stern standpoint on what is 'real,' his discussion of contestants involved are insightful. Bell accurately notes that those selected are, "carefully selected 'ordinary' people," who are specifically chosen, "…to generate certain kinds of stories, certain kinds of competitive and cooperative behaviours and inter-personal conflicts." This of course affects the 'real' as there is bias from the onset of their appearance on screen. There are also the specifics of why one is chosen; their 'role' if you like. It is imposed upon the contestant to play up to this role that the program producers have chosen them for. "They'll play the theatrical roles they've been chosen to play vixen, slut ingnue, yobbo, etc." Such behavioural patterns Bell describes as 'demand characteristics,' which he verifies by describing a societal experiment conducted around the theme of imprisonment. People involved in this experiment felt compelled to 'perform their role,' such as attempt escape if a prisoner and to rule harshly if a guard. Although Bell uses this as an effective argument against an accurate portrayal of oneself on Big Brother, we must acknowledge the fact that we are all subjected to some form of societal conformity within everyday life. There are multi-facets of every person and when put in different situations we often display or conceal certain aspects of our true self in order to be accepted. By showing different sides of their personality, appropriate to the current situation the contestants are faced with a double-edged sword. Bell discusses this as a kind of equilibrium, which entails keeping not only the audience content but their fellow contestants as well. By being too extreme one risks challenging societal norms and hence being pushed to the outer, which of course leads to elimination. Furthermore, being deprived of certain necessities such as family, sex, food and freedom will as Bell points out, inevitably lead to extreme behaviour, where uncharacteristic behavioural traits are displayed in order to win, survive or maintain dignity. This is perhaps where the untrue portrayal of oneself comes into play as competitiveness and winning become issues. On the June 10 (00) Big Brother Live nominations episode, the housemate Mirabai admitted, "There is something held back because you have to think about the game." Such a comment confirms Bell's point of view, that contestants are reserved in offering their real selves as it ultimately comes down to the fact that it is just that; a game.However, what sort of game would it be without a judge or mediator? This is where the audience come into play. Perhaps the most appealing facet of reality game shows is the authoritative position that the audience hold; that of judge. Bell comments that the audience "…interacts with the participants and their games, judging them, voting for or against them." He perceives this as a rather unnatural situation referring to this arrangement as 'perverse,' and 'voyeuristic;' both of which hold negative connotations. By perceiving this as unnatural Bell is neglecting to acknowledge that this form of behaviour occurs in everyday normal situations. It is inherent within human nature to observe something and then to pass judgement on it. One meets a new acquaintance and within tenths of a second has reduced them to a particular category or stereotype.Interestingly Bell not only looks at how the audience judge the contestants but how doing so forces them to judge themselves, consciously or not. This is achieved through the television channel ('agent provocateur'), who attempts to "catch the audience in their own moralistic web." Agreeably this is the hook which draws many viewers as we are sub-consciously subjected to internal scrutiny, asking ourselves, "What would I do in that situation?"Bell's discussion of why people pass judgement raises a valid and interesting point. When, as an audience, we are faced with displays of body flaunting, raw sexuality, and primitive behaviour, "…the native or 'feral' Aussie is on display, and the audience is made uncomfortably aware that it may be more like that species than it cares to admit." It is as though the viewer watches this behaviour that society deems as unacceptable, openly criticises it, despite feeling sub-consciously aroused and interested in behaving likewise and hypocritically act similarly in their own lives.Moreover, Bell's main qualm with Reality television appears to be that "…they exhibit a kind of perverse, rather than a critical or ironic 'pseudo-documentary.'" This 'pseudo-documentary,' he believes stems from the fact that the contestant know there is an audience who are watching and judging the contestants, therefore there is "….the demand to act as though they are not being looked at," which will undeniably tamper with the 'real.'Without being able to discuss this notion of the 'real,' as a balanced argument, Bell's only form of flattery throughout his article appears with sarcastic undertones, "Big Brother may not be reality but it certainly is television."By making unjust generalisations, Bells argument diminishes in worth. He refers to all contestants as "minimally educated, heavy television viewers." This judgemental voice appears loudly in his concluding paragraph where he tries to define the problem with Reality television. He states, "…it is not its apparently ignorant or vulgar participants who are the problem. Nor is it 'human nature.' Rather, it is the imprisoning situations constructed for us to think of as reality itself that should incite the critics' indignation." Perhaps as an academic this should be taken into account, but for the everyday viewer it is human nature, which holds their interest and is of the highest importance.Although Bell's article does raise some interesting and valid points, his overall attitude is negative and sarcastic. He does not conclusively prove that these shows do not present 'real' situations and people, nor does he gain any kudos by being closed-minded and cynical. By treating the general population as a collective whole, he is forced to make sweeping generalisations, which are often unjustified. Furthermore Bell passes judgement on such things as the contestants intellects, and of the type of people who would be amused by, "the selfish, the perverse, the eccentric," thus appearing class-orientated and naïve towards the richness and quality of human nature. In this sense Reality television is more 'real' than Bell gives it credit for. As an objective audience we catch sight of glimmers of the real and it is these that we should grab on to. BibliographyBell, Phillip, "Real New Formats of Television," Media Information Australia, No. 100, August 001 Big Brother Live nominations, Southern Star Endemol, Broadcast date June 10, 00 (Network Ten) Please note that this sample paper on Reality Tv: Big Brother is for your review only. 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William Faulkner

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William Cuthbert Falkner was Born September 5, 187, in New Albany Mississippi. William Cuthbert Falkner changed his last name upon the publish of his first book to Faulkner. William's father was the business manager of the University of Mississippi in the town of Oxford, and his mother was a literary woman who encouraged William and his three brothers to read. William was a good student, but lost interest in studies during high school. He dropped out in his sophomore year and did odd jobs while writing poetry. In 118 his high school girlfriend, Estelle Oldham, married another man, and William left Mississippi. He joined the British Royal Flying Corps but World War I ended before he finished his training in Canada, and he returned to Mississippi. A neighbor gave money to William for the publication of his first book of poems, The Marble faun. His first novel Soldiers Pay was published two years later. In 1 Faulkner finally married Estelle Oldham Franklin. She had divorced her first husband after having two children. William and his wife Estelle bought a ruined mansion near Oxford. Faulkners difficult novels did not earn him enough money to support his family, so he started selling short stories to magazines and working as a Hollywood screenwriter. He wrote two critically acclaimed films, both starring Humphrey Bogart. To Have and have Not was based on an Ernest Hemingway novel, and The Big Sleep was based on a mystery by Raymond Chandler. Faulkners reputation received a significant boost with the publication of The Portable Faulkner which included his many stories set in Yoknapatawpha county. Three years later, in 14, he won the Nobel Prize for literature. His Collected Stories won the National Book Award, and A Fable won a National Book Award and a Pulitzer Prize in 155. He was writer in residence at the University of Virginia from 157-58 and lectured on university campuses. Faulkners. He died of a heart attack in Mississippi at age 55.

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William Faulkner wrote Many good Novels. Two of those Novels he Wrote is The sound and the Fury and Light in August. The Sound and the Fury is based on three bothers located In different times. While Light in August is Based on a Pregnant girl who comes to Jefferson, Mississippi, To see her father but is only surprised by tradegy.Trothers located in three different historical times--Benjy Compson, a severely retarded thirty-three-year-old man in 18, Quentin Compson, a young student at Harvard in 110, and Jason Compson, a bitter farm-supply-store worker in 18--The Sound and the Fury portrays the decline and fall of the Compson family, once the most prominent dynasty in Jackson, Mississippi. Mr. Compson and Mrs. Compson have four children the three brothers and one sister, Caddy. Jason is mean-spirited and difficult from birth, and is kept at a distance by the other children. Quentin and Caddy are extremely close. In the absence of the self-absorbed, ailing Mrs. Compson, Caddy serves as a mother figure for Benjy.As the children grow older and become adolescents, Caddy begins to behave promiscuously, which torments Quentin into fits of jealousy and Benjy into fits of moaning and crying. Quentin is preparing to go to Harvard, and the family sells a large pasture to a local golf club in order to marshal the funds to send him there. Caddy loses her virginity, which causes Quentin to threaten to kill her and himself--a threat she accepts as a suggestion. Quentin, shattered, lies to his father, claiming that he and Caddy have committed incest; but Mr. Compson does not believe him, and tells him to leave early for the Northeast.Caddy becomes pregnant, and is unable or unwilling to name the father of the child, which is probably Dalton Ames. She is forced to marry very quickly, to a banker she met in Indiana, Herbert Head; Herbert promises Jason a job, but divorces Caddy once he realizes she is pregnant with another mans child. He also withdraws the job offer to Jason. In the meantime, Quentin, unable to bear the knowledge of Caddys sin, commits suicide by drowning himself toward the end of his first year at Harvard.Caddy is expelled from the Compson family, but Mr. and Mrs. Compson take in her daughter, whom Caddy names Quentin, after her brother. Miss Quentin is raised largely by Dilsey, the Compsons Negro cook. When Mr. Compson dies of alcoholism a year or so after Quentins suicide, Jason becomes the head of the household, and begins to work in the local farm-supply store. He also finds ingenious ways to blackmail his sister; in addition, he steals the money that Caddy sends to support Miss Quentins upbringing. Miss Quentin grows up into a rebellious, unhappy, and promiscuous girl, continually in conflict with her overbearing and vicious uncle Jason. Eventually, she steals several thousand dollars from him and runs away with a man from a traveling show. He chases after them, butis unable to catch up.A young pregnant girl named Lena Grove comes to Jefferson, Mississippi, in search of Lucas Burch, the father of her unborn child. On the day of her arrival, Jefferson is shaken by a tragedy the home of Joanna Burden, the heiress of a family of Northern abolitionists, burns to the ground, and Miss Burden is found dead, her head almost completely severed from her body. A man named Joe Brown comes forward to claim the thousand-dollar reward for information regarding the murder. He claims that Joe Christmas, a half-negro mill worker who used to be his bootlegging partner, had been Joannas lover and committed the murder. Byron Bunch, who helps Lena find a place to stay when she reaches Jefferson, realizes that Joe Brown is the same person as Lucas Burch, and that he is simply using Joe Brown as an alias. Against the advice of his friend, the outcast Reverend Hightower, Byron installs Lena in the old negro cabin where Joe Brown and Joe Christmas lived before the murder. He does not tell her about the role of her lover in the tragic recent events.Joe Christmas, who was sent away from his orphanage at a young age to be raised by the strict, almost inhuman Presbyterian McEachern, lives in the wilderness, trying to evade capture, and remembering his past--the long road of prostitutes and fighting that followed his killing of McEachern and his separation from his first lover, the prostitute Bobbie Allen. At last, Joe is unable to bear the struggle to avoid being caught and the attendant inner struggle to retain a measure of his humanity; he goes to Mottstown, where he is captured. The townspeople are outraged that Joe, a nigger, would dare to lay hands on a white woman; Joe only escapes lynching because a local man stands to collect the reward if he is transported safely to Jefferson. Joes grandparents, whom he has never seen, happen to live in Mottstown and hear of his capture. His grandfather, the fanatic religionist and racist Uncle Doc Hines, wants to kill him or have him lynched, but his grandmother, Mrs. Hines, protects him.They follow him to Jefferson, where they meet Byron Bunch. Byron takes them to see Reverend Hightower, and asks Hightower to support a false alibi for Joe, claiming that he was with Hightower on the night of the murder. The alibi is tantamount to acknowledging a homosexual relationship with Joe, however, and Hightower, who has been accused of such a relationship in the past, angrily declines. Shortly thereafter, Lenas baby is born; Byron cannot find a doctor, so Hightower is forced to deliver it himself. Through this act, he begins to feel triumphantly reconnected to the world from which he has been isolated for so long.Joe escapes from his captors in Jefferson and runs to Hightowers house, where he is killed and castrated by Percy Grimm, a racist army captain. Before Grimm kills Joe, Hightower tries to claim that Joe was with him the night of the murder. The claim fails, but the bare attempt completes Hightowers redemption; when he dies not long thereafter, he sees a giant, luminous wheel made of faces from his life, and his face is included on the wheel. Lena and Byron leave Jefferson with the baby, in pursuit of Lucas Burch, who fled out a window when he was taken to see Lena. Byron hopes that Lena will give up searching for Burch and marry him, but Lena insists on continuing the journey--possibly just because she enjoys traveling. Please note that this sample paper on William Faulkner is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on William Faulkner, we are here to assist you. Your persuasive essay on William Faulkner will be written from scratch, so you do not have to worry about its originality.

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