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Monday, October 12, 2020

Whats a man?

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What is a Man?Masculinity and manhood are very general, self opinionated topics. What does it mean to be a man? How does one qualify for the title? Is the term man simply referring to male human beings, or does it hold a greater measure of meaning in society? By definition, the word "man" is described as "an adult human being as distinguished from a female. In William Shakespeare's Macbeth, the main characters frequently dwell on this question and each have their own attitude towards the necessary qualities a true man must possess. Throughout the course of the play, we see a drastic change in not only the roll that both Macbeth and Lady Macbeth play in their relationship, but also their personal intentions and goals and just how far they will go to achieve these goals. One thing that never changes, however, is the stress which Lady Macbeth poses on her husband's masculinity. Lady Macbeth has a very different idea of qualities that represent manhood than those of other characters in the play. Although she believes in courage, strength, and fortitude, she also believes in some other more controversial qualities as well. Lady Macbeth feels that a man isn't truly a man unless he can kill without regret. She also believes that a true man should be able to keep his cool under any amount of pressure. Each of these examples are seen throughout the book and accurately demonstrate her opinions on what a "man" is. We first see Lady Macbeth's influence in the beginning of the novel, just before the devious plan to kill King Duncan takes place, when Macbeth expresses his fear and hesitation. In Lady Macbeth's eyes, the doubt which her husband displays is their biggest threat and the only way to fix this problem is to question his manhood. When you durst do it, then you were a man (I.vii4) This tactic works because Macbeth holds his wife's opinions of him in high regard. Another reason Lady Macbeth is able to convince Macbeth into completing the job is that he wants to please her because she is the dominant spouse in their relationship at this point in the play.


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In the banquet scene, Macbeth hallucinates and thinks he sees Banquo's bloody specter sitting at the table. As soon as Macbeth begins conversing with Banquo's ghost, Lady Macbeth apologizes for his behavior and again questions his masculinity in front of all of the guests. "If much you note him, You shall offend him, and extend his passion Feed, and regard him not.Are you a man?" (III.iv 65) This once again worked, and Macbeth snapped out of this trance almost instantaneously. This event exemplifies Lady Macbeth's power over her husband and the influence her opinion has on him. Lady Macbeth has a false impression on what being a man really is. On one hand she believes in courage, strength, and fortitude. However, she also believes that killing a man and showing no emotion also show masculinity. These examples strongly display her corrupt beliefs. While Macbeth and Lady Macbeth's authority changed drastically throughout the play, one thing that never changed was the stress which Lady Macbeth posed on her husband's masculinity. Manhood and what a "man" truly is, has always been a controversial topic. Although killing a man back in the 1600s was not as big of a deal as it is today, I still think that Lady Macbeth has a false opinion of what a "man" really is. Please note that this sample paper on Whats a man? is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Whats a man?, we are here to assist you. Your persuasive essay on Whats a man? will be written from scratch, so you do not have to worry about its originality.


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Friday, October 9, 2020

Anna Karenina: A Critical Essay Review

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Anna Karenina a Critical Essay Review Upon reading the novel Anna Karenina by Leo Tolstoy one must undoubtedly notice that there are a great many pages and thus a great many bits of detail and facets of the storyline. The novel in and of itself is essentially two separate novels with two unique plot lines and two distinctive casts of characters, but in fact intermingled and united together. In comprehending the very mass of the novel itself and considering every detail individually, one may wonder what some particular scenes contribute to the overall moral and theme of the work itself? Some scenes exist within the body that one thinks will contribute to the rising action or the conflict, but in fact nothing comes of these scenes. They are simply there for the author's own benefit it seems. That is exactly the question that Matthew Arnold is asking in his critical essay of Anna Karenina. Arnold queries in the opening of his essay if certain episodes such as Levin's tardiness to his wedding due to all of his clean shirts being packed away or Levin's brother Serge Ivanovich's near-proposal to Varenka are completely necessary in developing the plot and moral of the novel. One may definitely see his point at times while reading and tend to agree. These incidents seem to be dead ends that promise further development of the plot but in fact do no such thing. Arnold then offers a simple answer to his serious questioning of Tolstoy's very technique as a writer "...the truth is we are not to take 'Anna Karenina' as a work of art; we are to take it as a piece of life." Tolstoy did not intend to create a flawless piece of thematic perfection, he simply wanted to represent life as he saw it--with uneven twists and turns, sometimes leading to nowhere and accomplishing nothing. In that sense, Tolstory could not have been more accurate, more perfect in his imperfection and asymmetry. He simply offered a slice of life with a side order of philosophical morality--"The author saw it all happening so--saw it, and therefore relates it; and what his novel in this way loses in art it gains in reality."


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Through this device, this way of relating details, one cannot get better acquainted with the characters in Anna Karenina. To read this book is to see Kitty's innocent, pure eyes; to read this book is to hear the nervous cracking of Karenin's fingers; to read this book is to feel the energy of the room as Stiva enters. Every character presented is developed to such a degree that the reader truly feels akin to that personality and in tune with his or her thoughts. Tolstoy's thoughts and beliefs are expressed in all their contradictions through the characters in the book time and time again. Tolstoy offers no right or wrong in approaching all of life's questions and problems faced it--he only presents several points of view to the same focus, although one may be more ideal than another. It is only through depicting life unadulterated, no revisions or editing whatever, can one get to know the impulses, insecurities, weaknesses, and beliefs of the characters. Tolstoy is absolutely a brilliant master of this craft and could not articulate his point better. In a world where "art imitates life" it seems that the most beautiful form of art stems from the truest portrayal of life--Tolstoy's Anna Karenina being a brilliant example of this theory. Matthew Arnolds Critical Essay of Anna Karenina Please note that this sample paper on Anna Karenina: A Critical Essay Review is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Anna Karenina: A Critical Essay Review, we are here to assist you. Your cheap research papers on Anna Karenina: A Critical Essay Review will be written from scratch, so you do not have to worry about its originality.


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The Perfect FailureKennedy, Eisenhower, and the CIA at the Bay of Pigs

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Towards the end of our 11th grade year, every student was required to come up with a topic around which their History Internal Assessment would be based. For my part, due to the fact that I am relatively unknowledgeable on many aspects that have to do with Cuba, I chose to write my assessment on the Bay of Pigs. For this reason, I read the book "The Perfect Failure Kennedy, Eisenhower, and the CIA at the Bay of Pigs" by Trumbull Higgins. Though considerably critical, I found this book particularly good in describing the situation leading up to the Bay of Pigs, and the pits and falls that US policy fell through, causing this Cuban bloodbath. Starting from the very first chapter of the book, "Guatemala's 'Fortunes' and 'Success'", Higgins gives a slight background of the history of Cuba, ranging from 101 when Cuba was first liberated from Spain, up to a few years prior to the Bay of Pigs, in which the foundation for the conflict to come is already being set up. As the book goes on, Higgins also describes the events at the Bay of Pigs on that tragic seventeenth of April. He mentions the "frogmen" that went ashore with the landing lights at 0 AM, the troops that were supposed to move W, NW, and up the coast to reach troops at Playa Lagra, and also the T- trainer jets, with the two Sea Furies, and the two B-6s that Castro sent into the air to stop the invading forces. Clearly, the picture he paints of what the Cubans endured is one of betrayal, hurt, and treachery. Having fixed an agreement, the Cubans became the victims when the supplies, support, and aide never came.Going with the more analytical and disapproving approach, Higgins also comments on the way the United States handled the situation, frequently blaming the Central Intelligence Agency and the incompetence of the young inexperienced president Kennedy, and of his inept advisors. Nevertheless, Higgins backs up this opinion with the fact that Kennedy was "reported as initially desiring to splinter the agency into a thousand pieces and scatter it to the winds". In addition, Kennedy himself felt "a personal responsibility for the failure" (155). Furthermore, Higgins also seems to fault Eisenhower for pushing Kennedy to quickly decide on what to do and not warn anyone "Eisenhower urged Kennedy to keep his mouth shut about the whole operation" (77). In conclusion, though a considerable amount of the book does in fact deal with the basic narration of situations and historical events that pertain to the Bay of Pigs and its circumstantial surroundings, there is valuable and accurate insight and information. For example, a large amount of substantial evidence, such as newspaper reportages and varied quotes, prove his statements. For this reason, I believe this is a must-read for anyone who needs to get a detailed over-all picture of what exactly occurred in Cuba during this time, and how the United- States contributed, or failed to contribute, in this event. Subjectivity aside, which in fact is inevitable with any type of controversial political issue such as this, "The Perfect Failure" very well portrays the situation and perspective of the moment.


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Thursday, October 8, 2020

Gender Stereotypes in Action Movies

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Description The aim of this report is to determine how both males and females are portrayed/stereotyped in the action genre and to obtain a general view on how people feel about these portrayals. The report will also ascertain as to why these stereotypes are found in action movies. Through the research done, an assessment and recommendation will be given with regard to this particular topic.Methodology Numerous mediums were used to gather the necessary research to fulfill the aims of the report. The main sources of information were gathered from books that I have on the topic as well as various web pages on the Internet. Other sources included a questionnaire that I used to gather views about the relevant topic, informal discussions and from certain films that pertain to the research. To reach a conclusion as to how genders are stereotyped in action films, I gathered information from film study books. These proved to have been more than adequate as they covered the subject in meticulous detail. The Internet was used to find a reason as to why genders are stereotyped and the questionnaires were key in achieving an opinion as to how these stereotypes are received by viewers.Findings Male action heroes tend to act to reinforce their patriarchal stand in masculinity. They rescue women, proving themselves protectors of women. They are proven desirable to women. Another thing that male heroes seem to have in common is that they are often symbols and not actors. They tend to take on physically demanding roles in each movie and often fit the stereotype of built up men with muscles rippling and guns blazing although this is not always the case.Females in action movies are stereotyped in a completely different way to men. Findings all show that women are depicted as weak and dependent on men to save them from a situation in which they cannot help themselves. Even heroines are frequently getting rescued in the final scene. As motivation for violence-- violence against women is the trigger for the (male) heroes violence, which is what the audience came to see. In this respect, the rape, abuse, murder, whatever, is a good thing -- it causes a desired response.


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Female roles provide a second level of appeal. Rather than only the identifications and envy of hero, the male directed camera portrays desire of female. The women are attractive not only to the hero, but to the audience, in an attempt to make the film attractive. Many popular movies have been criticized for promoting girls to look a certain way. It is estimated that the female body type presented in movies such as Men In Black and Bond Movies only make up about % of the total female population.The answers to the questionnaire showed a general consensus amongst those interviewed that these portrayals of the sexes are in fact verifiable and quite common as 80% of those interviewed said that men were cast as heroic, muscular and aggressive characters while women's roles were limited to those of a helpless trophy girl or a sex goddess. The general feeling, however, was against the stereotypes and that they should not be allowed to progress any further (7% voted against the stereotypes). Please note that this sample paper on Gender Stereotypes in Action Movies is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Gender Stereotypes in Action Movies, we are here to assist you. Your cheap custom research papers on Gender Stereotypes in Action Movies will be written from scratch, so you do not have to worry about its originality.


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Wednesday, October 7, 2020

Physics-The Physics of Stopping

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The question "safety is not related to how fast you go but how fast you stop" can not be answered without looking at the physics concepts involved. The answerer is not as clear cut as it may seem as factors of momentum, that is inertia in motion, inertia, mass, change in momentum, and impulse, all must be taken into account. The first concept we must look at momentum. Momentum is inertia in motion, which can be found by multiplying mass and velocity. If you increase either mass or velocity, you will increase the momentum, we need to look at this as the faster you go the more momentum you have, and therefore the more dangerous you are, so speed is a danger, which is by no means a safe act. The second important concept is the concept of impulse. Impulse changes momentum. Finding impulse is attained by multiplying force and time interval, change either of the two and the impulse is different. If you decelerate quickly you will have a smaller impulse, than a longer smoother deceleration. In the topic statement it states that it is not how fast you travel but how quickly you stop, if you were to travel at 60km.h-1 and stopped in 0m opposed to traveling at 100km.h-1 and stopping in the same distance, you would feel a shorter impulse, which makes the stopping 'rougher.' Inertia is another point that must be closely examined. Inertia is the tendency for a body to preserve its current state of motion, unless acted upon by an external force. This means things tend to do what they are already doing. For an example if you are traveling at 60km.h-1 and stopped over 0m your body would want to keep moving in the direction that it was doing so. If you stopped again over the same distance but from 100km.h-1 then you would experience a greater force of inertia, as your body would be wanting to stay moving at 100km as opposed to 60km in the other case. The faster you go the more inertia you have so you would be more likely to become injured the faster you go, especially if you are not wearing a seatbelt.


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To agree or disagree with the topic statement is difficult. In theory the statement 'Safety is not related to how fast you go but how fast you stop,' is correct, but then communism works in theory. In reality all factors must be considered, which the statement obviously doesn't cover. Yes if you can slow down in the same amount of time, you would be safer, however it doesn't take into consideration the effects on the driver. Human bodies are not designed to withstand the effect of dramatic deceleration, seatbelts can be useful, however it leaves vital areas like the neck unprotected, and whiplash can cause severe neck, and bone injuries. What happens if you stop very suddenly from a high speed and you're not wearing a seatbelt, you will stay in motion until something slows you down, which could be your windscreen, or a brick wall, and the effects are going to become worse the faster you travel. Put simply no I don't think that safety is related to how fast you stop as opposed to how fast you are traveling. Everyone would have their opinions on the topic sentence, and I think that the statement shows us the black and white, which looks good on the surface, but when examined closely has many flaws, as proven above. We must look at all aspects of physics involved and then make a decision, on weather or not the statement is true or not. Personally it has some truths to it, and it is correct to an extent but its flaws far outweigh the few truths to it. Please note that this sample paper on Physics-The Physics of Stopping is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Physics-The Physics of Stopping, we are here to assist you. Your cheap research papers on Physics-The Physics of Stopping will be written from scratch, so you do not have to worry about its originality.


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