Lord of the flies and a clockwork orange: a test of humanity

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Lord of the Flies and A Clockwork Orange are both novels that one hears things about easily. What you don't hear about is exactly what they are. They are incredibly controversial novels, which show the authors' views about humanity. The proof in both novels of what their observation of humanity is, is not only something easily found, but something easily disturbing. The boys in Lord of the Flies start their downward trend very early in the novel. They continue this trend at a steady pace throughout the next chapters. In chapter one, Roger and Maurice show the first signs of regression. They start doing the first things that lead towards evil. Roger led the way straight through the castles, kicking them over, burying the flowers, scattering the chosen stones. Maurice followed, laughing, and added to the destruction…Percival finished his whimper and went on playing for the tears had washed the sand away…Roger stooped, picked up [a] stone, aimed, and threw it at Henry…[it] bounced five yards to Henry's right and fell in the water. Roger gathered a handful of stones and began to throw them… (Golding 60-). "[This] brilliant work is a frightening parody on man's return (in a few weeks) to that state of darkness from which it took him thousands of years to emerge"(Stern 8).

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After the little incidents at the beginning of the novel, the boys act just like little boys for awhile. Then soon after that they begin the real horror. "…the sense of how tenuous is the hold of intelligence, reason, and humaneness as a brake upon mans regression into barbarism (Oldsey, Weintraub 170)."The circle moved in and round. Robert squealed in mock terror, then in real pain. The butt end of a spear fell on his back as he blundered among them. Ralph, carried away by a sudden thick excitement, grabbed Eric's spear and jabbed at Robert with it. 'Kill him. Kill him.' All at once, Robert was screaming and struggling with the strength of frenzy. Jack had him by the hair and was brandishing his knife. Behind him was Roger, fighting to get close (Golding 114). Later, the boys finally get to completely evil. They are so preoccupied with the beast that they fail to notice in the midst of passion that the beast they are seeing is Simon. 'Kill the beast! Cut his throat! Spill his blood! Do him in!' The beast struggled forward, broke the ring…At once the crowd surged after it, poured down the rock, leapt on to the beast, screamed, struck, bit, tore…Even in the rain they could see how small a beast it was; and already its blood was staining the sand(Golding 15-).This unleashes the pure evil in the boys. "…shows that men are inherently evil; if left alone to fend for themselves, they will revert back to the savage roots of their ancestors" (novel analysis). Later, they kill Piggy without any qualms. Ralph heard the great rock before he saw it…The rock struck Piggy a glancing blow from chin to knee…[Piggy] fell forty feet and landed on his back…his head opened and stuff came out and turned red…[Piggy's] arms and legs twitched a bit, like a pig's after it has been killed(Golding 180-1)Alex and his droogs don't waste any time showing their true colors. They start the novel with the first of many examples of their evil ways. Chapter one begins with the boys beating a man coming out of the library. …but I managed to rip the pages up and chuck them in handfuls of like snowflakes, though big,…Dim yanked out his false zoobies (teeth), upper and lower. He threw these down on the pavement and then I treated them to the old bootcrush (smash), though they were hard bastards like, being made of some new horrorshow (good) plastic stuff…all we did then was to pull his outer platties (pants) off, stripping him down to his vest and long underpants, and then Pete kicks him lovely in his pot, and we let him go (Burgess 7).This just shows how incredibly awful Alex and his friends are. "… [A Clockwork Orange] is a nightmarish fantasy of a future England where the hoodlums take over after dark" (Hyman -).

In later chapters, they do far worse. They decide to steal a car and go for a drive around the country. After ending up at F. Alexander's house, they proceed to make lots of trouble.…Grab hold of this veck here so he can viddy (see) all and not get away…Locking her rookers (hands) from the back, while I ripped away at this and that and the other, the others going haw haw haw still, and real good horrorshow groodies (breasts) they were that then exhibited their pink glazzies (eyes), O my brothers, while I untrussed and got ready for the plunge. Plunging, I could slooshy (hear) cries of agony and this writer bleeding veck (man) that George an Pete held on to nearly got loose howling bezoomny (loud)…Then after me it was right old Dim should have his turn… (Burgess -).The main points of this novel are easily found, especially pertaining to evil. "There is also the lack of remorse and guilt in Alex for all his violent acts" (Large-Fesi ). It's a book shocking in its violence and acts that no teenager should think of. "The endless sadistic violence in the book, unimaginably nasty, mindless and mind-hating, is described by Alex with eloquence and joy, at least until it turns on him (Hyman -). Alex does get better, though not the way one would imagine. When Alex was caught in the act of one of his "events", he was sent to the prison facilities. He was told of a program that would allow him to cut his time short, and be free. "It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice" (Clark 1).And then I found they were strapping my rookers to the chair-arms and my nogas (feet) were like stuck to a foot-rest…One veshch I did not like…was when they put like clips on the skin of my forehead, so that my top glaz-lids were pulled up and up and up and I could not shut my glazzies no matter how I tried (Burgess 101).The new form of treatment made him good all right, but not in any superior way. He just got ill whenever he saw or was involved in anything violent, no matter whether it was him the violence was happening to or not. "…moral freedom [is] the ability to perform both good and evil (Clark 1). The first kind of clockwork orange is defined by Burgess as a person that "can only perform good or only perform evil" (Clark 1). In the end though, he tried to kill himself and when the government fixed him, they took the illness that appeared any time Alex was around violence, the very same conditioning they had put him through in the first place. "Freedom stifled is no less opprobrious than freedom unlicensed" (Morris 55-75) In short, it's not hard to see that the two novels are mirrors of each other in one way or another. The development from good to evil and evil to good is one that is effortlessly able to be found. No matter what, it's not easy to see that the themes of both novels are what the authors think about mankind and what his natural state is. In Golding's case, it's obvious that he thinks (according to this novel) that mankind is just a bunch of uncivilized killers, and that no matter what happens, there's no way to change that. Burgess simply sees it as a thing of time. If you give even the worst of people enough time, and a little help, they will ultimately be good. Please note that this sample paper on lord of the flies and a clockwork orange: a test of humanity is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on lord of the flies and a clockwork orange: a test of humanity, we are here to assist you. Your persuasive essay on lord of the flies and a clockwork orange: a test of humanity will be written from scratch, so you do not have to worry about its originality.

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