The Way of The World

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BY NICOLE LEMMER XThe Way of the World is a Restoration Comedy themed as a Romantic Comedy. Originally premiering in 1700 it was written by William Congreve and was directed and re-arranged by Gale Edwards. It was performed by the Sydney Theatre Company, inThe Sydney Opera House running from February 4th 00 until March nd 00.

College papers on The Way of The World

When Congreve wrote this play he was in his 0's. It was set in the beau monde of aristocratic society, where rank and fashion were at the forefront of thinking and the prevailing subjects were love and marriage. Society rejected this play due to its realism and subsequently Congreve wrote in a more fictional or emotional style. At the time it was written, recognizing themselves in the play, the social order, rejected it.In the 1700s marriage was often arranged to secure wealth and property. A Women's dowry was bestowed to her husband at the time of the marriage. In many unhappy marriages, death or desertion, were the only ways to escape.The morality of the play illustrates the reoccurring theme of life and love-still valid in current times. It is that each person's family strives (sometimes by extraordinary means) to achieve the best for their own. The romance and passion of love is overlooked or forsaken for the safety of security in the forthcoming years. Wit plays a major role, from the first act and throughout the play. Sexist comments and verbal attacks on both sexes occur.The names of the characters add a little humourous twist. Petulant is petulant and Lady Wishfort (wishes for it to be that she is younger).The stage had two rotating discs each inside a normal square stage. The inner circle had a carousel in it. The main colour was gold and this was repeated on both the stage and costumes. Angel heads featured around the top of the carousel and on top of the stage. These represented the symbol of love, Cupid. The walls of the carousel were painted or had tinted glass panels.Both the title and the revolving stage convey the thought that no matter what happens the world keeps on turning. This was a great way to change the scene with each revolution of the stage a reminder to the audience that always the "Way of the World" keeps turning. The movements of the characters were also a circular motion reinforcing the concept of the ever-turning world.Lighting effects were impressive. Centre stage, the main area used, although hard to light was exceptionally well lit. Footlights were hidden behind golden angel heads, positioned on the floor of the stage. There were four sets of lights on the roof and a set of lights on either side, just in front of the stage. Under the carousel was a little ledge to step down onto the outer stage, and there were countless small lights around it. When the scene was outside, brighter lights were used, the inside was contrastingly less bright.When the scene was in the garden, green lights and brighter lighting were used. Whilst pink light was used inside Lady Wishfort's room where the furniture was also pink. In the lounge where the furniture was purple the lighting was also purple.The music used was the classical pieces of the time, yet slightly configured. There was a gramophone sound to the music track. This was probably to accentuate the period the play was set in. Well-known pieces were played softly in the background to the dialogue.The costumes were of traditional design, toned down, but still to our way of thinking elaborate. The different fabrics used were traditional but with a modern twist. The Women's garments were large flowing dresses and corsets with sequins and ribbons to decorate. The men wore tight boots, vests, bows and overcoats with flowing sleeves.Both sexes had elaborate hairstyles, or wigs and puffs. The style of the 1700s-with the added glamour of today's hair glitter.Colour coding of the costumes helped the audience appreciate the detail of the play for example whether they clash or not, or whether they are a couple or not. Some examples are Mirabell and Millamant were dressed in white and blue with blonde hair representing good. Fainall and Miss Marwood wore black and green with black hair and represented evil. Miss Fainall wore orange with red hair. Petulant wore blue black and gold with blue hair and Witwoud wore pink, black and gold with pink hair. Miss Fainall and Fainall-orange, green and black clash-and they don't get on. (They shouldn't be a couple.) Lady Wishfort and her servants wear pink and white with hearts in the first half and in the second they wear pink and purple with flowers.Set in the 1700s this play is not modernized per se, rather it is given a modern twist. For example the humour is given an up to date wording. The conversation is the key to this play. As it progresses the play begins to shed a glorious light upon theContemporary issues of courtship, truthfulness and the testing of one's prospective mate. These issues are as relevant today as in 1700 and are themes everyone can relate to. It is also enormously funny and prophetic. Lady Wishfort had a very proper accent and the servants were a little less well spoken. The actors and actresses were well cast. Deep and hard thought about what each character was like had occurred and they seemed to become one with their characters. I especially liked Miriam Margoyles as Lady Wishfort. I felt that Damian da Montemas cast in the role of Millamant was less convincing than the other actors nor did he perceive the meanings of his words and character. This may be due to the fact that he had a bigger role and more scenes to master.I thoroughly enjoyed this play and thought that the actors were well cast and the direction was accomplished. I would love to have watched it all over again to appreciate each detail; each clever, humourous twist .It was an attention-grabbing play. To be honest, I didn't think I would enjoy it initially, however I got swept up into it and was really appreciative of having had the opportunity to see " The Way of the World". Please note that this sample paper on The Way of The World is for your review only. 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