Responders form mean from texts

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the "truth" by those in positions of power and influence, such as thesatirical "Frontline" series, which parodies contemporary current-affairs programs. Whilst anewspaper article entitled "Chopping decision to use a psychology student, rather thanexpert, and "…just slap him in front of a bookcase…" is a further example by the conversation between Jas

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and Brooke. When Jas question's Brooke as to whether or not the story really was about aSportswoman being dropped for poor form, Brooke sarcastically responds "There's a lead storyJas, Player dropped due to bad form. That's groundbreaking stuff". During the interview withAllison, the sportswoman, Brooke prompts "…how many of team have it in for you…" to whichAllison replies "Most of them". However, shortly after the interview, Brooke rephrases thequestion to "How many of the team are gay?" lending the interview a new meaning, a meaningwhich was not originally intended to be portrayed and one which has been created through falserepresentation. Again highlighting the way in which representation influences and shapesmeaning. This use of comic exaggeration and contrast, typical of parody, raises questions aboutthe ethics of journalism while demonstrating the power which the media holds. The power tomanipulate, influence and subvert the "truth" whilst "tarnishing the reputations" of the "smallfish" involved, and in effect impeding society's access to the "truth" however subjective it maybe."This Night of Nights" supports the assertion that our access to the truth is impeded by thepowerful, and emphasises the domination the powerful and influential have over this "truth".After discovering that that Telecom has been "bugging" people's telephone calls, the FrontlineTeam prepare an expos, believing that it is their duty "to inform the public, regardless of theconsequences", however this attitude is soon abandoned when, Telecom, one of Frontline'smajor sponsors, asserts it's influence upon the Team's directors. Again, the hierarchical powerstructure of the media is highlighted, exposing the hypocrisy of the industry and questioning theethics of journalism, a subject commonly explored in "Frontline's" satirical parody of actualcurrent-affairs programs. Satirical techniques such as irony play a major role in "This Night ofNights", as evidenced by Brian's comment "…As the media we have a duty to report what welearn, not sit back and decide what people should and shouldn't know", contrasting with theactions of the Frontline team, as this is precisely what they do. Mike Moore's comment, "So wego from attacking to endorsing them?" accurately describes the influence which the powerful, inthis case Telecom, have in controlling, manipulating and selectively choosing the "Truths" to berepresented. This selectivity of representation means that often the meaning of a text can bechanged dramatically. It can therefore be clearly seen that our access to the "truth" is indeedimpeded, hampered or even completely denied by the powerful.The television series "Changi" has been criticised as an "appropriation of history, (intended) tosuit the sensitivities of television audiences", an appropriation which has been subject to themanipulation and influence of the powerful. Christopher Bantick, a senior lecturer of History atMelbourne's Trinity Grammar school, believes that "Changi will do nothing for the much neededdevelopment of a secure and well researched sense of Australian history" which explores thebrutal and inhumane treatment of Australian Prisoner's of War at Changi, a statement supportedby the casualty figures of Changi. Of the 0,000 P.O.W's captured by the Japanese, only 14,15survived, nearly a third of all P.O.W's died at Changi. This horrid and brutal atmosphere of theP.O.W camp is not conveyed or expressed to audiences in the television series "Changi" and isindicative of the way in which our access to the "truth" is impeded by the powerful, as the visualrepresentation of the realities (or non-realities) of "Changi" influflight receipts which allegedly prove that Versace could not havemet with Monte. It is believed that this case provides a clear example of the ways in which ouraccess to the truth is impeded by the powerful. The huge power which a company such asVersace posses in influencing the media surely demonstrates that the factual "truth" is oftensuppressed for either financial gain or positive representation and consequentially society'saccess to the "truth" is limited and in the hands of the powerful.and coupled with thenewspaper text "Journalists targeted in Afghanistan", illustrate the fact the powerful have theability to impede our access to the truth not only Please note that this sample paper on Responders form mean from texts is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Responders form mean from texts, we are here to assist you. Your college papers on Responders form mean from texts will be written from scratch, so you do not have to worry about its originality.

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